October 12, 2004
Twenty-Six Soldiers

I'm almost completely done moving into the studio. Through random chance, I checked my email not long before we were leaving on the first trip up from LA with the U-Haul (and all my furniture). It just so happened that the one new email I had was from a guy in the Valley selling a fully restored Chandler and Price Pilot Press. I called. We haggled. I said, I'll come pick it up right now. He said sure, plus I'll throw in a bunch of other stuff. I almost peed myself.

M and I unceremoniously shoved the red couch out of the back of the U-Haul to make more room and drove straight to Canoga Park, where I scored not just a lovely Pilot on its own rolling stand, but a type cabinet, several cases of type, box after box of random printing ephemera and a couple extra typefaces. M pointed out the cool vintage radio cabinet in the living room, and he offered it to us for another $20. M is now in the garage turning it into another art piece. More on that later.

The Vandercook also arrived safely, thanks to my favorite super-cute Jim Salazar and Company employee, a giant flatbed truck and a pallet jack. He even moved the iron lung galley cabinet for the low-low cost of a sandwich. The rusty ginormous non-OSHA-approved-lose-an-arm guillotine paper cutter has been disposed of (no room, no desire to fix it).

Everything fits. The DSL works. I have a place to go to work that isn't my house. I had this incredible realization at about quarter to nine on Monday morning that for the first time in over four years, I can actually go to work. The couch will miss me, as will the laptop, but I've had enough of working in my bathrobe at noon.

So, first order of business is unpacking and arranging and figuring out what I need and what I don't. The fact that both presses came with a bunch of random stuff the previous owners clearly wanted to rid themselves of in bulk has left me with lots of duplicates and more than one box of tools I can't figure out how to use. The best part of going through this, though, has been organizing the type. I'm planning on getting rid of a lot of it, as is evidenced by my huge number of ebay auctions. Some of it is conveniently labeled with the face, manufacturer and size - some even in its original packaging. Others, mostly what I got with the galley cabinet, are mysterious and defy identification. If anybody reading has ninja master type-spec skills, help in identifying the faces below is appreciated. I'm pretty sure the one at the bottom right is ATF Stylescript. I forgot to reverse a couple of the images - that's why some are backwards (correct) and some are forward (easier to identify).

It's been a lovely, meditative week so far, alphabetizing, cleaning, organizing, sorting, wiping years of dust and old ink off with a rag soaked in horribly toxic solvents. I wouldn't trade this for the world.



Posted by kia at October 12, 2004 08:22 PM
Comments

!!

s- s- studio!

Posted by: teno on October 12, 2004 09:37 PM

What fun! Now if I only had something that needed printing... Are business cards too small for these kind of presses?

Posted by: bug on October 13, 2004 07:18 AM

So wonderful - studio, type, and you being back writing again. 8)

If i get southward, will you let me come play at your studio? I promise not to break anything!

Posted by: mko on October 13, 2004 08:06 PM

Of course, I'd be glad to show you how to set type and print something if you have an afternoon free!

And yes, the Pilot is particularly well suited to small runs of business cards.

Also, Gerald Lange of the Bieler Press tells me that the top left is apparently a typeface named Sapphire (and sold me six more type cases and a lot of brass and copper thin spaces today). Two down, four to go!

Posted by: kia on October 13, 2004 08:51 PM

Hmmm... maybe it's finally time to indulge my long-held wish of getting some calling cards made?

I would so like to single-handedly bring back the calling card.

Posted by: beca on October 23, 2004 08:44 PM
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words and images are © copyright 2002-2005 kristen johansen or their respective authors. please do not reproduce without permission. send email to kia at bossanova dot com.